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印度女乞丐去世 家中发现30麻袋现金 遗产由两兄弟继承_我的网站
A | 8月25日消息，提起乞丐，人们固有印象是穷困潦倒、居无定所，三餐都要依靠路人施舍勉强维持，乞讨所得仅够勉强糊口，很难存下多余积蓄。 而近期印度曝出的一桩真实事件，直接颠覆了大众的这一传统认知。 据当地媒体报道，近日，印度卡纳塔克邦曼迪亚县一名长期以乞讨为生的妇女离世，亲属与邻居在其租住房屋内，发现三十个装满现金的麻袋，事件在当地引发热议。
据了解，这名女子生前和姐姐一同租房居住，二人均终身未婚。 The debate around cinematic narratives and representation has taken a personal turn as Diljit Dosanjh recently shared a hard-hitting post on his Instagram stories. He shared a report highlighting the stark contrast between the reception of mainstream patriotic films and the ongoing struggle of his long-delayed biopic, Punjab 95. The post shared by Diljit draws a direct comparison between how certain roles are celebrated versus others that face hurdles. It points out that while Diljit receives widespread acclaim for his participation in high-profile patriotic projects like Border 2, his work on the biopic of human rights defender Jaswant Singh Khalra remains in a state of limbo. The shared content notes that Punjab 95 has been stuck with the CBFC (Central Board of Film Certification) for three years. This delay stands in contrast to the rapid success of other contemporary releases, such as Dhurandhar: The Revenge, which the post mentions is being celebrated even as Punjab 95 continues its battle with the censor board. Punjab 95, directed by Honey Trehan, delves into the life of Jaswant Singh Khalra and his investigations into sensitive historical events in Punjab. The film has reportedly faced demands for extensive cuts and changes, preventing its domestic release for almost 36 months. The post suggests a perceived disparity in how the film industry and regulatory bodies treat different types of stories. While films that align with established nationalistic themes often find a smooth path to the audience, biographical stories that explore complex human rights issues or historical grievances seem to face a much more rigorous and prolonged screening process. By sharing this specific critique, Diljit Dosanjh aligned himself with the conversation regarding creative freedom and the importance of telling diverse stories. For now, the contrast between the celebrated mainstream cinema and the stalled biopic of Jaswant Singh Khalra continues to spark a debate about the future of storytelling in Indian cinema. Also Read: Border 2 OTT Release: When & Where to Watch Sunny Deol’s Film?。
B | 两年前姐姐去世之后，她便独自在此生活，常年在街头乞讨谋生，日常看起来家境贫寒，外界从未知晓她存有大量现金。 在其去世处理后事、清点遗物时，众人发现屋内堆放大量麻袋，袋中塞满纸币与硬币，大多是10、20、50 卢比的小额零钱。经过现场清点，全部现金合计84万卢比，折合约5.9万元人民币。 由于逝者没有配偶和子女，按照当地相关习俗，这笔积蓄交由她的两名兄弟处置。其中一名兄弟分得60万卢比，另一名兄弟拿到剩余24万卢比，并将该部分钱捐给清真寺。
消息传播之后，不少网友对此感到唏嘘。不少网友感慨，手握几十万卢比的积蓄，生前却始终以乞讨为生，常年过着拮据简朴的日子，辛苦攒下的钱财自己一生都未曾享用，直到离世后才被世人发现，结局令人感慨。
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Published on:07:45:09